Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Race Track Amateur Jockeys near a Carriage oil


The Race Track Amateur Jockeys near a Carriage
Painting ID::  11444 		The Race Track Amateur Jockeys near a Carriage
ca 1877-1880 2' 2'' x 2' 8''(66 x 81 cm)Bequest of Count Isaac de Camondo,1911
   
   
     
Edgar Degas Race Horses before the Stands oil


Race Horses before the Stands
Painting ID::  11445 		Race Horses before the Stands
ca 1879(also dated 1866-1868) 1' 6'' x 2'(46 x 61 cm)Bequest of Count Isaac de Camondo,1911
   
   
     
Edgar Degas Dancers Climbing a Stair oil


Dancers Climbing a Stair
Painting ID::  11451 		Dancers Climbing a Stair
ca 1886-1890 1' 3 1/4'' x 2' 11 1/4''(39 x 89.5 cm)Bequest of Count Isaac de Camondo,1911
   
   
     
Edgar Degas Harlequin and Colombine oil


Harlequin and Colombine
Painting ID::  11452 		Harlequin and Colombine
ca 1886-1890 1' 1'' x 9 1/4''(33 x 23.5 cm)Gift of Eduardo Mollard,1961
   
   
     
Edgar Degas Bather Stretched out on Floor oil


Bather Stretched out on Floor
Painting ID::  11456 		Bather Stretched out on Floor
1886-1888 Pastel,1'7'' x 2' 10 1/4''(48 x 87 cm) Recuperation no.50
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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