Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Woman Combing Her Hair oil


Woman Combing Her Hair
Painting ID::  11457
Woman Combing Her Hair
ca 1897 Pastel,2' 1'' x 1' 5''(82 x 57 cm)
ca_1897 Pastel,2'_1''_x_1'_5''(82_x_57_cm)
   
   
     

Edgar Degas Semiramis Building Babylon (mk06) oil


Semiramis Building Babylon (mk06)
Painting ID::  21086
Semiramis Building Babylon (mk06)
1861 4' 11 1/2'' x 8' 5 1/2''(151 x 258 cm)RF 2207
1861 4'_11_1/2''_x_8'_5_1/2''(151_x_258_cm)RF_2207
   
   
     

Edgar Degas The Orchestra of the Opera (mk06) oil


The Orchestra of the Opera (mk06)
Painting ID::  21087
The Orchestra of the Opera (mk06)
ca 1868-1869 1' 10 1/4'' x 1'6''(56.5 x 46 cm)Rf 2417
ca_1868-1869 1'_10_1/4''_x_1'6''(56.5_x_46_cm)Rf_2417
   
   
     

Edgar Degas At the Stock Exchange (mk06) oil


At the Stock Exchange (mk06)
Painting ID::  21095
At the Stock Exchange (mk06)
ca 1878-1879 3' 3 1/4'' x 2'8 1/4''(100 x 82 cm)Gift of Ernest May 1923 RF 2444
   
   
     

Edgar Degas The Pedicure (mk06) oil


The Pedicure (mk06)
Painting ID::  21096
The Pedicure (mk06)
1873 Paper on canvas 2' x 1'6''(61 x 46 cm)Bequest of Count Isaac de Camondo,1911 RF 1986
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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