Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Woman Combing Her Hair oil


Woman Combing Her Hair
Painting ID::  28339
Woman Combing Her Hair
mk60 ca.1886 Pastel on cardboard' 21x20 1/2"
mk60 ca.1886 Pastel_on_cardboard' 21x20_1/2"
   
   
     

Edgar Degas Mademoiselle La La at the Cirque Fernando oil


Mademoiselle La La at the Cirque Fernando
Painting ID::  30084
Mademoiselle La La at the Cirque Fernando
mk64 1879 Oil on canvas 116.8x77.7cm
mk64 1879 Oil_on_canvas 116.8x77.7cm
   
   
     

Edgar Degas Edmond Duranty(Detail) oil


Edmond Duranty(Detail)
Painting ID::  30097
Edmond Duranty(Detail)
mk64 1879 Oil on canvas 100x100cm Glasgow,
mk64 1879 Oil_on_canvas 100x100cm Glasgow,
   
   
     

Edgar Degas Diego Martelli oil


Diego Martelli
Painting ID::  30098
Diego Martelli
mk64 1879 Oil on canvas 116x75.5cm Edinburgh The National Gallery of Scotland
   
   
     

Edgar Degas The Bellelli Family oil


The Bellelli Family
Painting ID::  30706
The Bellelli Family
mk68 Oil on canvas Paris,Orsay Museum 1858-1860 Oil on canvas
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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