Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Two figures on the horseback oil


Two figures on the horseback
Painting ID::  50025
Two figures on the horseback
mk206 1860 ink and white gouache 25.4x19.2cm
mk206 1860 ink_and_white_gouache 25.4x19.2cm
   
   
     

Edgar Degas On the Racecourse oil


On the Racecourse
Painting ID::  50026
On the Racecourse
mk206 1860-2 detail oil on canvas 43x65.5cm
mk206 1860-2 detail oil_on_canvas 43x65.5cm
   
   
     

Edgar Degas Princess Pauline de Metternich oil


Princess Pauline de Metternich
Painting ID::  50027
Princess Pauline de Metternich
mk206 about 1865 London,National Gallery
mk206 about_1865 London,National_Gallery
   
   
     

Edgar Degas Young Spartans Exercising oil


Young Spartans Exercising
Painting ID::  50028
Young Spartans Exercising
mk206 about 1860 London,National Gallery
mk206 about_1860 London,National_Gallery
   
   
     

Edgar Degas Young spartans oil


Young spartans
Painting ID::  50029
Young spartans
mk206 about 1860 Oil on canvas 97.4x140cm
mk206 about_1860 Oil_on_canvas 97.4x140cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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