Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Elena and Camila Montejasi-Cicerale oil


Elena and Camila Montejasi-Cicerale
Painting ID::  50057
Elena and Camila Montejasi-Cicerale
mk206 about 1865-8 Oil on canvas 57.5x73.7cm
mk206 about_1865-8 Oil_on_canvas 57.5x73.7cm
   
   
     

Edgar Degas Portrait of Elena Carafa oil


Portrait of Elena Carafa
Painting ID::  50058
Portrait of Elena Carafa
mk206 about 1875 Oil on canvas.lined 70.1x55cm
mk206 about_1875 Oil_on_canvas.lined 70.1x55cm
   
   
     

Edgar Degas Carlo Pellegrini oil


Carlo Pellegrini
Painting ID::  50059
Carlo Pellegrini
mk206 about 1876-7 London National Gallery
mk206 about_1876-7 London National_Gallery
   
   
     

Edgar Degas Woman drying her hair after the bath oil


Woman drying her hair after the bath
Painting ID::  50060
Woman drying her hair after the bath
mk206 about 1893-8 Pastel and charcoal on tracing paper 84.1x105.4cm
   
   
     

Edgar Degas Russian Dancers oil


Russian Dancers
Painting ID::  50061
Russian Dancers
mk206 about 1899 Pastel and charcoal on tracing paper with addition at the bottom 8.5xcm wide laid down onto a wove paper support on millboard
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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