Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Russian Dancer oil


Russian Dancer
Painting ID::  50062
Russian Dancer
mk206 1895 Pastel and charcoal on joined tracing paper laid dow on board 63x54cm
   
   
     

Edgar Degas Russian Dancers oil


Russian Dancers
Painting ID::  50063
Russian Dancers
mk206 about 1899 Charcoal and pastel on tracing paper on paper. 67x47cm
   
   
     

Edgar Degas Three Russian Dancers oil


Three Russian Dancers
Painting ID::  50064
Three Russian Dancers
mk206 about 1899-1905 Charocoal and pastel on tracing paper 99x75cm
   
   
     

Edgar Degas Ballet Dancers oil


Ballet Dancers
Painting ID::  50065
Ballet Dancers
mk206 about 1890-1900 Oil on unprimed very coarse canvas,unlined 72.5x73cm
   
   
     

Edgar Degas The Ballet class oil


The Ballet class
Painting ID::  50066
The Ballet class
mk206 about 1878-80 Oil on canvas 82.2x76.8cm
mk206 about_1878-80 Oil_on_canvas 82.2x76.8cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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