Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Singer with the Glove oil


The Singer with the Glove
Painting ID::  58616 		The Singer with the Glove
The Singer with the Glove, 1878, The Fogg Art Museum, Cambridge, Massachusetts
   
   
     
Edgar Degas Miss La La at the Cirque Fernando oil


Miss La La at the Cirque Fernando
Painting ID::  58617 		Miss La La at the Cirque Fernando
Miss La La at the Cirque Fernando, 1879, The National Gallery, London
   
   
     
Edgar Degas The Millinery Shop oil


The Millinery Shop
Painting ID::  58619 		The Millinery Shop
The Millinery Shop, 1885, The Art Institute of Chicago, Chicago, Illinois
   
   
     
Edgar Degas Ballet Rehearsal oil


Ballet Rehearsal
Painting ID::  58620 		Ballet Rehearsal
Ballet Rehearsal, 1873, The Fogg Art Museum, Cambridge, Massachusetts
   
   
     
Edgar Degas Dancer with a Bouquet of Flowers oil


Dancer with a Bouquet of Flowers
Painting ID::  58621 		Dancer with a Bouquet of Flowers
Dancer with a Bouquet of Flowers (Star of the Ballet), 1878
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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