Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Jockeys on Horseback before Distant Hills oil


Jockeys on Horseback before Distant Hills
Painting ID::  81945
Jockeys on Horseback before Distant Hills
1884 Medium English: Oil on canvas Dimensions 44.9 x 54.9 cm cjr
   
   
     

Edgar Degas The Suffering of the City of New Orleans oil


The Suffering of the City of New Orleans
Painting ID::  83838
The Suffering of the City of New Orleans
1865(1865) Medium Oil on paper mounted on canvas cyf
   
   
     

Edgar Degas The Chorus oil


The Chorus
Painting ID::  85546
The Chorus
oil on canvas, Musxe d'Orsay Date 1876(1876) cyf
oil_on_canvas,_Musxe_d'Orsay_ Date_1876(1876) _ cyf
   
   
     

Edgar Degas Henri Rouart in front of his Factory oil


Henri Rouart in front of his Factory
Painting ID::  86169
Henri Rouart in front of his Factory
1875 Medium Oil on canvas Dimensions English: 66 x 50 cm cyf
   
   
     

Edgar Degas Edmondo and Therese Morbilli oil


Edmondo and Therese Morbilli
Painting ID::  86375
Edmondo and Therese Morbilli
Date 1865(1865) Medium Oil on canvas cjr
Date_1865(1865) _ Medium_Oil_on_canvas _ cjr
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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