Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Portrat einer jungen Frau oil


Portrat einer jungen Frau
Painting ID::  91374
Portrat einer jungen Frau
1867(1867) Medium oil on canvas Dimensions Deutsch: 27 x 22 cm cjr
   
   
     

Edgar Degas Two ironing women oil


Two ironing women
Painting ID::  91546
Two ironing women
c. 1884 Medium oil on canvas Dimensions Deutsch: 76 x 82 cjr
   
   
     

Edgar Degas Tanzerinnen im Foyer oil


Tanzerinnen im Foyer
Painting ID::  91965
Tanzerinnen im Foyer
c. 1887-1890 Medium oil on canvas Dimensions Deutsch: 75 X 90 cm cjr
   
   
     

Edgar Degas Portrat der Miss Cassatt, die Karten haltend oil


Portrat der Miss Cassatt, die Karten haltend
Painting ID::  92404
Portrat der Miss Cassatt, die Karten haltend
c. 1876-1878 Medium oil on canvas Dimensions Deutsch: 74 X 60 cm cjr
   
   
     

Edgar Degas Young Woman with Ibis oil


Young Woman with Ibis
Painting ID::  93904
Young Woman with Ibis
between 1860(1860) and 1862(1862) Medium oil on canvas Dimensions 100 x 74.9 cm (39.4 x 29.5 in) cjr
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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