Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Study for Edmono Duranty oil


Study for Edmono Duranty
Painting ID::  49196
Study for Edmono Duranty
mk194
mk194
   
   
     

Edgar Degas Singer with a Glove oil


Singer with a Glove
Painting ID::  49197
Singer with a Glove
mk194 c.1878
mk194 c.1878
   
   
     

Edgar Degas Half-Langth Study of a Woman oil


Half-Langth Study of a Woman
Painting ID::  49198
Half-Langth Study of a Woman
mk194 c.1890
mk194 c.1890
   
   
     

Edgar Degas Arter the Bath,Woman Drying her Hair oil


Arter the Bath,Woman Drying her Hair
Painting ID::  49199
Arter the Bath,Woman Drying her Hair
mk194 c.1893-98
mk194 c.1893-98
   
   
     

Edgar Degas Head of a Man oil


Head of a Man
Painting ID::  49200
Head of a Man
mk194 1858
mk194 1858
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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