Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Artist-s father oil


Artist-s father
Painting ID::  49894
Artist-s father
mk206 1857 Oil on canvas 53x41cm
mk206 1857 Oil_on_canvas 53x41cm
   
   
     

Edgar Degas a group of Racehorse oil


a group of Racehorse
Painting ID::  49895
a group of Racehorse
mk206 1868 Oil on canvas 46x61cm
mk206 1868 Oil_on_canvas 46x61cm
   
   
     

Edgar Degas Belini Family oil


Belini Family
Painting ID::  49896
Belini Family
mk206 1858-1867 Oil on canvas 200x250cm
mk206 1858-1867 Oil_on_canvas 200x250cm
   
   
     

Edgar Degas Mr Edward and Mis Edward oil


Mr Edward and Mis Edward
Painting ID::  49897
Mr Edward and Mis Edward
mk206 1868-1869 Oil on canvas 65x71cm
mk206 1868-1869 Oil_on_canvas 65x71cm
   
   
     

Edgar Degas Miss Gojelin oil


Miss Gojelin
Painting ID::  49898
Miss Gojelin
mk206 1867 Oil on canvas 61.2x45.7cm
mk206 1867 Oil_on_canvas 61.2x45.7cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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