Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Gentlemen-s Race oil


Gentlemen-s Race
Painting ID::  54512
Gentlemen-s Race
mk235 1862 Oil on canvas
mk235 1862 Oil_on_canvas
   
   
     

Edgar Degas The Belleli Family oil


The Belleli Family
Painting ID::  54530
The Belleli Family
mk235 1858-1860 Oil on canvas 200x250cm
mk235 1858-1860 Oil_on_canvas 200x250cm
   
   
     

Edgar Degas Woman with Chysanthemums oil


Woman with Chysanthemums
Painting ID::  54541
Woman with Chysanthemums
mk235 1865 Oil on canvas
mk235 1865 Oil_on_canvas
   
   
     

Edgar Degas Mlle Eugenie Fiocre in the Ballet oil


Mlle Eugenie Fiocre in the Ballet
Painting ID::  54543
Mlle Eugenie Fiocre in the Ballet
mk235 c.1867/68 Oil on canvas
mk235 c.1867/68 Oil_on_canvas
   
   
     

Edgar Degas The Opera Orchestra oil


The Opera Orchestra
Painting ID::  54564
The Opera Orchestra
mk235 c.1868/69 Oil on canvas
mk235 c.1868/69 Oil_on_canvas
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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