Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas A Carriage at the Races oil


A Carriage at the Races
Painting ID::  54567
A Carriage at the Races
mk235 c.1869-1872 Oil on canvas
mk235 c.1869-1872 Oil_on_canvas
   
   
     

Edgar Degas Race Horses in Front of the Stand oil


Race Horses in Front of the Stand
Painting ID::  54568
Race Horses in Front of the Stand
mk235 c.1869 Oil on canvas
mk235 c.1869 Oil_on_canvas
   
   
     

Edgar Degas Woman ironing oil


Woman ironing
Painting ID::  54573
Woman ironing
mk235 c.1869 Oil on canvas
mk235 c.1869 Oil_on_canvas
   
   
     

Edgar Degas The Dancing Class oil


The Dancing Class
Painting ID::  54583
The Dancing Class
mk235 c.1872 Oil on canvas
mk235 c.1872 Oil_on_canvas
   
   
     

Edgar Degas Musicians in the orchestra oil


Musicians in the orchestra
Painting ID::  54584
Musicians in the orchestra
mk235 1870-71 Oil on canvas 69x49cm
mk235 1870-71 Oil_on_canvas 69x49cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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