Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas The Milliners oil


The Milliners
Painting ID::  89220
The Milliners
c. 1898 Medium oil on canvas Dimensions 29 5/8 x 32 1/4 in. (75.2 x 81.9 cm) cjr
   
   
     

Edgar Degas In den Tuilerien: Frau mit Sonnenschirm oil


In den Tuilerien: Frau mit Sonnenschirm
Painting ID::  89565
In den Tuilerien: Frau mit Sonnenschirm
c. 1887-1890 Medium oil on canvas Dimensions Deutsch: 27 x 20 cm cjr
   
   
     

Edgar Degas Das Modewarengeschaft oil


Das Modewarengeschaft
Painting ID::  90220
Das Modewarengeschaft
1885(1885) Medium oil on canvas Dimensions Deutsch: 99 x 109 cm cjr
   
   
     

Edgar Degas Generalprobe des Balletts auf der Buhne oil


Generalprobe des Balletts auf der Buhne
Painting ID::  90662
Generalprobe des Balletts auf der Buhne
1873-1874 Medium oil on canvas Dimensions Deutsch: 66 x 82 cm cjr
   
   
     

Edgar Degas Mr and Ms Morbilli oil


Mr and Ms Morbilli
Painting ID::  91160
Mr and Ms Morbilli
1865(1865) Medium oil on canvas cyf
1865(1865) _ Medium_oil_on_canvas _ cyf
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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