Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Beach Scene oil


Beach Scene
Painting ID::  97070
Beach Scene
1876-1877 Medium oil on paper mounted on canvas Dimensions 47 X 82.6 cm (18.5 X 32.5 in) cyf
   
   
     

Edgar Degas Portrait of Rene de Gas oil


Portrait of Rene de Gas
Painting ID::  97197
Portrait of Rene de Gas
circa 1855(1855) Medium oil on canvas cyf
circa_1855(1855)_ Medium_oil_on_canvas_ cyf
   
   
     

Edgar Degas The old Italian woman oil


The old Italian woman
Painting ID::  97608
The old Italian woman
1857(1857) Medium oil on canvas Dimensions cyf
1857(1857)_ Medium_oil_on_canvas_ Dimensions__ cyf
   
   
     

Edgar Degas Henri Degas and His Niece Lucie Degas oil


Henri Degas and His Niece Lucie Degas
Painting ID::  98046
Henri Degas and His Niece Lucie Degas
1875-1876 Medium oil on canvas Dimensions 99.8 x 119.9 cm cyf
   
   
     

Edgar Degas Evariste de Valernes oil


Evariste de Valernes
Painting ID::  98166
Evariste de Valernes
1868(1868) Medium oil on canvas cyf
1868(1868)_ Medium_oil_on_canvas_ cyf
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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