Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas The cotton company of New Orleans oil


The cotton company of New Orleans
Painting ID::  37725
The cotton company of New Orleans
mk128 Oil on canvas 73x92cm 1873
mk128 Oil_on_canvas 73x92cm 1873
   
   
     

Edgar Degas Dance oil


Dance
Painting ID::  37726
Dance
mk128 Oil on board 19x27 1872
mk128 Oil_on_board 19x27 1872
   
   
     

Edgar Degas Mrs. Edgar oil


Mrs. Edgar
Painting ID::  37727
Mrs. Edgar
mk128 Oil on canvas 72.7x92cm 1872-1873
mk128 Oil_on_canvas 72.7x92cm 1872-1873
   
   
     

Edgar Degas Cafard oil


Cafard
Painting ID::  37728
Cafard
mk128 Oil on canvas 72.7x92cm 1872-1873
mk128 Oil_on_canvas 72.7x92cm 1872-1873
   
   
     

Edgar Degas Support mandatory practice oil


Support mandatory practice
Painting ID::  37729
Support mandatory practice
mk128 Oil on canvas 74x80cm About 1876-1877
mk128 Oil_on_canvas 74x80cm About_1876-1877
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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