Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas The man in front of his factory oil


The man in front of his factory
Painting ID::  37730
The man in front of his factory
mk128 Oil on cavas 65x50cm About 1875
mk128 Oil_on_cavas 65x50cm About_1875
   
   
     

Edgar Degas Dance oil


Dance
Painting ID::  37731
Dance
mk128 1875-1876
mk128 1875-1876
   
   
     

Edgar Degas feel wronged and act rashly oil


feel wronged and act rashly
Painting ID::  37732
feel wronged and act rashly
mk128 Oil on canvas 32x46cm About 1873-1875
mk128 Oil_on_canvas 32x46cm About_1873-1875
   
   
     

Edgar Degas Two Laundryman oil


Two Laundryman
Painting ID::  37733
Two Laundryman
mk128 46x61cm About 1876-1878
mk128 46x61cm About_1876-1878
   
   
     

Edgar Degas Portrait oil


Portrait
Painting ID::  37734
Portrait
mk128 Oil on canvas 61x33cm About 1876-1877
mk128 Oil_on_canvas 61x33cm About_1876-1877
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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