Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Two wasvrouwen oil


Two wasvrouwen
Painting ID::  42790
Two wasvrouwen
MK169 ca. 1884 Cloth 76x81.5cm
MK169_ ca._1884_Cloth _76x81.5cm
   
   
     

Edgar Degas Women on the terrace oil


Women on the terrace
Painting ID::  42791
Women on the terrace
MK169 ca. 1877 Pastel over monotype on paper 40x60cm
MK169 _ca._1877_Pastel_over_monotype_on_paper_40x60cm
   
   
     

Edgar Degas Apres Le Bain oil


Apres Le Bain
Painting ID::  44992
Apres Le Bain
mk183 Signed 77x83cm
mk183 Signed 77x83cm
   
   
     

Edgar Degas Danseuse Aux Bras Leves oil


Danseuse Aux Bras Leves
Painting ID::  44997
Danseuse Aux Bras Leves
mk183 Sined Pastel and charcoal on panel 35x26.5cm
mk183 Sined Pastel_and_charcoal_on_panel 35x26.5cm
   
   
     

Edgar Degas The Absinth oil


The Absinth
Painting ID::  45660
The Absinth
mk186 1876 Paris muse d' Orsay
mk186 1876_Paris_muse_d'_Orsay
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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