Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Race horses in Longchamp oil


Race horses in Longchamp
Painting ID::  45911
Race horses in Longchamp
mk178 1871 oils on linen 34x41.9cm
mk178_ 1871_oils_on_linen_34x41.9cm
   
   
     

Edgar Degas On the race place Jockeys next to a carriage oil


On the race place Jockeys next to a carriage
Painting ID::  45912
On the race place Jockeys next to a carriage
mk178 around 1877-1880 oil on linen 66x81cm
mk178_ around_ 1877-1880_oil_on_linen_ 66x81cm
   
   
     

Edgar Degas The Bellini oil


The Bellini
Painting ID::  48686
The Bellini
mk191 200x253cm Oil on canvas
mk191 200x253cm Oil_on_canvas
   
   
     

Edgar Degas Detail of  The Bellini oil


Detail of The Bellini
Painting ID::  48687
Detail of The Bellini
mk191 Oil on canvas
mk191 Oil_on_canvas
   
   
     

Edgar Degas Detail of The Bellini oil


Detail of The Bellini
Painting ID::  48688
Detail of The Bellini
mk191 Oil on canvas
mk191 Oil_on_canvas
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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