Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas absinth oil


absinth
Painting ID::  49914
absinth
mk206 1875-1876 Oil on canvas 92x68cm
mk206 1875-1876 Oil_on_canvas 92x68cm
   
   
     

Edgar Degas The woman take the telescope look at the opera oil


The woman take the telescope look at the opera
Painting ID::  49915
The woman take the telescope look at the opera
mk206 1875-1876 Oil on canvas 48x32cm
mk206 1875-1876 Oil_on_canvas 48x32cm
   
   
     

Edgar Degas Opera performance in the restaurant oil


Opera performance in the restaurant
Painting ID::  49916
Opera performance in the restaurant
mk206 1876-1877 Oil on canvas 24.2x44.5cm
mk206 1876-1877 Oil_on_canvas 24.2x44.5cm
   
   
     

Edgar Degas Dance oil


Dance
Painting ID::  49917
Dance
mk207 1876-1877 Oil on canvas 24.2x44.5cm
mk207 1876-1877 Oil_on_canvas 24.2x44.5cm
   
   
     

Edgar Degas The Concert in the cafe oil


The Concert in the cafe
Painting ID::  49918
The Concert in the cafe
mk206 1876-1877 Oil on canvas 36x28cm
mk206 1876-1877 Oil_on_canvas 36x28cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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