Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Dancer at the dressing room oil


Dancer at the dressing room
Painting ID::  49934
Dancer at the dressing room
mk206 1878-1879 Oil on canvas 60x40cm
mk206 1878-1879 Oil_on_canvas 60x40cm
   
   
     

Edgar Degas Dance practising oil


Dance practising
Painting ID::  49935
Dance practising
mk206 about 1879 Oil on canvas 63.4x48.2cm
mk206 about_1879 Oil_on_canvas 63.4x48.2cm
   
   
     

Edgar Degas ballerina in the green dress oil


ballerina in the green dress
Painting ID::  49936
ballerina in the green dress
mk206 1880-1885 Oil on canvas 46.9x33cm
mk206 1880-1885 Oil_on_canvas 46.9x33cm
   
   
     

Edgar Degas Dancer have a break oil


Dancer have a break
Painting ID::  49937
Dancer have a break
mk206 1881-1885 Oil on canvas 50x60cm
mk206 1881-1885 Oil_on_canvas 50x60cm
   
   
     

Edgar Degas Star oil


Star
Painting ID::  49938
Star
mk206 1879-1881 Oil on canvas 73.3x57.4cm
mk206 1879-1881 Oil_on_canvas 73.3x57.4cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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