Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas The horse in the race oil


The horse in the race
Painting ID::  49944
The horse in the race
mk206 about 1884 Oil on canvas 57.5x65.4cm
mk206 about_1884 Oil_on_canvas 57.5x65.4cm
   
   
     

Edgar Degas In  the Store oil


In the Store
Painting ID::  49945
In the Store
mk206 1882-1884 Oil on canvas 67.3x67.3cm
mk206 1882-1884 Oil_on_canvas 67.3x67.3cm
   
   
     

Edgar Degas In  the Store oil


In the Store
Painting ID::  49946
In the Store
mk206 1882 Oil on canvas 75.9x84.8cm
mk206 1882 Oil_on_canvas 75.9x84.8cm
   
   
     

Edgar Degas amateurish caballero on horse-race ground oil


amateurish caballero on horse-race ground
Painting ID::  49947
amateurish caballero on horse-race ground
mk206 1876-1887 Oil on canvas 66x81cm
mk206 1876-1887 Oil_on_canvas 66x81cm
   
   
     

Edgar Degas In  the Store oil


In the Store
Painting ID::  49948
In the Store
mk206 1882 Oil on canvas 75.6x85.7cm
mk206 1882 Oil_on_canvas 75.6x85.7cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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