Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas The conversation in the store oil


The conversation in the store
Painting ID::  49949
The conversation in the store
mk206 about 1882 Oil on canvas 65x86cm
mk206 about_1882 Oil_on_canvas 65x86cm
   
   
     

Edgar Degas Waiting oil


Waiting
Painting ID::  49950
Waiting
mk206 about 1882 Oil on canvas 48.2x61cm
mk206 about_1882 Oil_on_canvas 48.2x61cm
   
   
     

Edgar Degas ballerina  on the stage oil


ballerina on the stage
Painting ID::  49951
ballerina on the stage
mk206 1883 Oil on tempera 64.8x50.8cm
mk206 1883 Oil_on_tempera 64.8x50.8cm
   
   
     

Edgar Degas woman towel off her body after  bath oil


woman towel off her body after bath
Painting ID::  49952
woman towel off her body after bath
mk206 1882-1885 Oil on tempera 72x58cm
mk206 1882-1885 Oil_on_tempera 72x58cm
   
   
     

Edgar Degas After bath oil


After bath
Painting ID::  49953
After bath
mk206 1883-1884 Oil on canvas 52x32cm
mk206 1883-1884 Oil_on_canvas 52x32cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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