Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Two lady dressing up hair oil


Two lady dressing up hair
Painting ID::  49989
Two lady dressing up hair
mk206 1896-1900 Oil on canvas 82x87cm
mk206 1896-1900 Oil_on_canvas 82x87cm
   
   
     

Edgar Degas Dancer in the red oil


Dancer in the red
Painting ID::  49990
Dancer in the red
mk206 1897-1901 oil on canvas 81.3x62.2cm
mk206 1897-1901 oil_on_canvas 81.3x62.2cm
   
   
     

Edgar Degas Breakfast oil


Breakfast
Painting ID::  49991
Breakfast
mk206 1896-1899 Oil on canvas 96x110cm
mk206 1896-1899 Oil_on_canvas 96x110cm
   
   
     

Edgar Degas Four dance oil


Four dance
Painting ID::  49992
Four dance
mk206 1896-1898 Oil on canvas 151.1x180.2cm
mk206 1896-1898 Oil_on_canvas 151.1x180.2cm
   
   
     

Edgar Degas Dance have a break oil


Dance have a break
Painting ID::  49993
Dance have a break
mk206 about 1896 Oil on canvas 51x40cm
mk206 about_1896 Oil_on_canvas 51x40cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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