Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Study of Helene Rouart sitting on the Arm of a Chair oil


Study of Helene Rouart sitting on the Arm of a Chair
Painting ID::  50052 		Study of Helene Rouart sitting on the Arm of a Chair
MK206 1886 Pastel on pale blue paper 49x34cm
MK206 1886 Pastel_on_pale_blue_paper 49x34cm
   
   
     
Edgar Degas Helene Rouart leaning on a chair oil


Helene Rouart leaning on a chair
Painting ID::  50053 		Helene Rouart leaning on a chair
mk206 1886 Black chalk on paper laid down on board 31.1x20cm
   
   
     
Edgar Degas Woman at a Window oil


Woman at a Window
Painting ID::  50054 		Woman at a Window
mk206 about 1871-2 London,Courtauld institue of Art Gallery
   
   
     
Edgar Degas Woman at a window oil


Woman at a window
Painting ID::  50055 		Woman at a window
mk206 about 1860 Pencil on paper 5.6x9.7cm
mk206 about_1860 Pencil_on_paper 5.6x9.7cm
   
   
     
Edgar Degas Woman at a Window oil


Woman at a Window
Painting ID::  50056 		Woman at a Window
mk206 London,The Samuel Courtauld Trust
mk206 London,The_Samuel_Courtauld_Trust
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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