Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Self Portrait_h oil


Self Portrait_h
Painting ID::  884 		Self Portrait_h
1863 Museeeeeu Calouste Gulbenkian, Lisbon
1863_ Museeeeeu_Calouste_Gulbenkian,_Lisbon
   
   
     
Edgar Degas Portrait of Mademoiselle Hortense Valpincon oil


Portrait of Mademoiselle Hortense Valpincon
Painting ID::  885 		Portrait of Mademoiselle Hortense Valpincon
1870 29 3/4" x 44 3/4" Institute of Arts, Minneapolis
1870_ 29_3/4"_x_44_3/4"_Institute_of_Arts,_Minneapolis
   
   
     
Edgar Degas The Bellelli Family oil


The Bellelli Family
Painting ID::  886 		The Bellelli Family
1859-60 80" x 101.2" Musee d'Orsay, Paris
1859-60_ 80"_x_101.2"_ Musee_d'Orsay,_Paris
   
   
     
Edgar Degas The Duke and Duchess Morbilli oil


The Duke and Duchess Morbilli
Painting ID::  887 		The Duke and Duchess Morbilli
1865 46.25" x 35.5" Museum of Fine Arts, Boston
1865_ 46.25"_x_35.5"_ Museum_of_Fine_Arts,_Boston
   
   
     
Edgar Degas Madame Valpincon with Chrysanthemums oil


Madame Valpincon with Chrysanthemums
Painting ID::  888 		Madame Valpincon with Chrysanthemums
1865 29 x 36 1/2 in (73.7 x 92.7 cm) Metropolitan Museum of Art, New York
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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