Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Francisco de Goya A Butchers Counter oil


A Butchers Counter
Painting ID::  95959 		A Butchers Counter
between 1810(1810) and 1812(1812) Medium oil on canvas cyf
   
   
     
Francisco de Goya Water Carrier oil


Water Carrier
Painting ID::  96636 		Water Carrier
oil on canvas Dimensions 68 X 52 cm cyf
oil_on_canvas_ Dimensions_68_X_52_cm_ cyf
   
   
     
Francisco de Goya Entwurfe fur die Wandteppiche zur Ausschmuckung der Konigl oil


Entwurfe fur die Wandteppiche zur Ausschmuckung der Konigl
Painting ID::  97254 		Entwurfe fur die Wandteppiche zur Ausschmuckung der Konigl
1788(1788) Medium oil on canvas Dimensions 41 X 25 cm cyf
   
   
     
Francisco de Goya Entwufe fudie Wandteppiche zur Ausschmukung der Koigl oil


Entwufe fudie Wandteppiche zur Ausschmukung der Koigl
Painting ID::  97663 		Entwufe fudie Wandteppiche zur Ausschmukung der Koigl
oil on canvas Dimensions Deutsch: 34 x 15 cm cyf
oil_on_canvas_ Dimensions_Deutsch:_34_x_15_cm_ cyf
   
   
     
Francisco de Goya General Nicolas Philippe Guye oil


General Nicolas Philippe Guye
Painting ID::  97773 		General Nicolas Philippe Guye
1810(1810) Medium oil on canvas Dimensions 106.05 x 84.77 cm cyf
   
   
     
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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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