Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Portrait of a Man. oil


Portrait of a Man.
Painting ID::  83238 		Portrait of a Man.
Date ca. 1660(1660) Medium Oil on panel Dimensions Height: 31.8 cm (12.5 in). Width: 25.5 cm (10 in). cjr
   
   
     
Frans Hals Portrait of a Man oil


Portrait of a Man
Painting ID::  83530 		Portrait of a Man
Date between 1650(1650) and 1653(1653) Medium Oil on canvas Dimensions Height: 84.7 cm (33.3 in). Width: 67 cm (26.4 in). cjr
   
   
     
Frans Hals Samuel Ampzing oil


Samuel Ampzing
Painting ID::  83763 		Samuel Ampzing
oil on copper 16.2 x 12.3 cm Date 1630 - 1632 cjr
oil_on_copper_ 16.2_x_12.3_cm_ Date_1630_-_1632 _cjr
   
   
     
Frans Hals Portrait of Johannes Hoornbeek oil


Portrait of Johannes Hoornbeek
Painting ID::  84132 		Portrait of Johannes Hoornbeek
Date 1645(1645) Medium Oil on canvas Dimensions Height: 79.5 cm (31.3 in). Width: 68 cm (26.8 in). cjr
   
   
     
Frans Hals St Luke oil


St Luke
Painting ID::  84464 		St Luke
ca. 1625(1625) Medium Oil on canvas cyf
ca._1625(1625) _ Medium_Oil_on_canvas _ cyf
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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