Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Vincent Laurensz. van der Vinne. oil


Vincent Laurensz. van der Vinne.
Painting ID::  86895
Vincent Laurensz. van der Vinne.
Date c. 1655-1660 Medium Oil on canvas Dimensions 64.7 x 48.9 cm (25.5 x 19.3 in) cjr
   
   
     

Frans Hals Willem Croes oil


Willem Croes
Painting ID::  87246
Willem Croes
between 1662(1662) and 1666(1666) Medium Oil on wood cyf
   
   
     

Frans Hals Portrait of a Man oil


Portrait of a Man
Painting ID::  87315
Portrait of a Man
1660(1660) Medium Oil on panel cyf
1660(1660) _ Medium_Oil_on_panel _ cyf
   
   
     

Frans Hals Portrait of Isaac Abrahamsz. Massa oil


Portrait of Isaac Abrahamsz. Massa
Painting ID::  87365
Portrait of Isaac Abrahamsz. Massa
Date c. 1635(1635) Medium Oil on canvas Dimensions Height: 20.3 cm (8 in). Width: 18.6 cm (7.3 in). cjr
   
   
     

Frans Hals Portret van een man met lang haar en snor oil


Portret van een man met lang haar en snor
Painting ID::  87384
Portret van een man met lang haar en snor
between 1650(1650) and 1653(1653) Medium Oil on canvas cyf
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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