Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Saint John the Evangelist oil


Saint John the Evangelist
Painting ID::  80232
Saint John the Evangelist
ca. 1625-1628 Oil on canvas 70 x 55 cm (27.6 x 21.7 in) cjr
   
   
     

Frans Hals Portrait of Paulus van Beresteyn oil


Portrait of Paulus van Beresteyn
Painting ID::  80249
Portrait of Paulus van Beresteyn
1619-1620 Medium Oil on canvas Dimensions 139.5 x 102.5 cm (54.9 x 40.4 in) cyf
   
   
     

Frans Hals Portret van Frans Hals oil


Portret van Frans Hals
Painting ID::  80522
Portret van Frans Hals
1650s (?) Medium Oil on panel Dimensions 32.7 x 27.9 cm (12.9 x 11 in) cyf
   
   
     

Frans Hals Boy holding a Flute oil


Boy holding a Flute
Painting ID::  80577
Boy holding a Flute
Date 1626-1628 Medium Oil on panel cjr
Date_1626-1628 _ Medium_Oil_on_panel _ cjr
   
   
     

Frans Hals The Rommel-Pot Player. Detail oil


The Rommel-Pot Player. Detail
Painting ID::  80606
The Rommel-Pot Player. Detail
Date ca. 1618-1620 Medium Oil on canvas Dimensions full picture:106 x 80.3 cm (41.7 x 31.6 in) cjr
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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