Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Saint John the Evangelist oil


Saint John the Evangelist
Painting ID::  84470
Saint John the Evangelist
. 1625-1628 Medium Oil on canvas Dimensions 70 x 55 cm (27.6 x 21.7 in) cyf
   
   
     

Frans Hals Portrait of a Man oil


Portrait of a Man
Painting ID::  84474
Portrait of a Man
Date ca. 1635(1635) Medium Oil on oak Dimensions Height: 24.7 cm (9.7 in). Width: 19.6 cm (7.7 in). cjr
   
   
     

Frans Hals Boy holding a Flute oil


Boy holding a Flute
Painting ID::  84782
Boy holding a Flute
1626-1628 Medium Oil on panel Dimensions Ø 37.5 cm (14.76 in) cyf
   
   
     

Frans Hals Rommel Pot Player Detail oil


Rommel Pot Player Detail
Painting ID::  84785
Rommel Pot Player Detail
ca. 1618-1620 Medium Oil on canvas Dimensions full picture:106 x 80.3 cm (41.7 x 31.6 in) cyf
   
   
     

Frans Hals Portrait of Isaak Abrahamsz Massa oil


Portrait of Isaak Abrahamsz Massa
Painting ID::  84867
Portrait of Isaak Abrahamsz Massa
Date 1626(1626) Medium Oil on canvas Dimensions Height: 79.5 cm (31.3 in). Width: 65 cm (25.6 in). cjr
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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