Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Portrait of an Elderly Lady oil


Portrait of an Elderly Lady
Painting ID::  1502
Portrait of an Elderly Lady
1633 National Gallery of Art, Washington DC 40 3/8 x 34 3/16 in / 1.025 x .869 m
   
   
     

Frans Hals Portrait of a Young Man with a Skull oil


Portrait of a Young Man with a Skull
Painting ID::  1503
Portrait of a Young Man with a Skull
c1626/28 National Gallery, London
c1626/28_National_Gallery,_London
   
   
     

Frans Hals Young Man and Woman in an Inn oil


Young Man and Woman in an Inn
Painting ID::  1504
Young Man and Woman in an Inn
1623 Metropolitan Museum of Art, New York
1623_Metropolitan_Museum_of_Art,_New_York
   
   
     

Frans Hals Portrait of Samuel Ampzing oil


Portrait of Samuel Ampzing
Painting ID::  1505
Portrait of Samuel Ampzing
1630
1630
   
   
     

Frans Hals Maria Pietersdochter Olycan oil


Maria Pietersdochter Olycan
Painting ID::  1506
Maria Pietersdochter Olycan
Museum of Art, Sao Paolo
Museum_of_Art,_Sao_Paolo
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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