Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Portrait of a Woman with a Fan oil


Portrait of a Woman with a Fan
Painting ID::  43154
Portrait of a Woman with a Fan
mk170 circa 1640 Oil on canvas 79.8x59cm
mk170 circa_1640 Oil_on_canvas 79.8x59cm
   
   
     

Frans Hals Festmabl of the officers of the St. Jorisdoelen in Haarlem oil


Festmabl of the officers of the St. Jorisdoelen in Haarlem
Painting ID::  45486
Festmabl of the officers of the St. Jorisdoelen in Haarlem
mk186 1627 Haarlem, fringe-neck-museum
mk186 1627_Haarlem,_fringe-neck-museum
   
   
     

Frans Hals Festmabl of the officers of the St. Jorisdoelen in Haarlem oil


Festmabl of the officers of the St. Jorisdoelen in Haarlem
Painting ID::  45513
Festmabl of the officers of the St. Jorisdoelen in Haarlem
mk186 1616 Haarlem, fringe-neck-museum
mk186 1616_Haarlem,_fringe-neck-museum
   
   
     

Frans Hals St.Jorisdoelen in Haarlem oil


St.Jorisdoelen in Haarlem
Painting ID::  45550
St.Jorisdoelen in Haarlem
mk186 1627 Haarlen,Frans-Hals-Museum
mk186 1627 Haarlen,Frans-Hals-Museum
   
   
     

Frans Hals Stephanus Geraerdts and Isabella Coymans oil


Stephanus Geraerdts and Isabella Coymans
Painting ID::  51025
Stephanus Geraerdts and Isabella Coymans
1650-52 Oil on canvas, 115 x 87 and 116 x 86 cm
1650-52_ Oil_on_canvas,_ 115_x_87_and_116_x_86_cm
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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