Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals De Magere Compagnie oil


De Magere Compagnie
Painting ID::  59191
De Magere Compagnie
Frans Hals. De Magere Compagnie. 1637. Oil on canvas, 209 x 429 cm, Rijksmuseum Amsterdam
   
   
     

Frans Hals Jester with a Lute oil


Jester with a Lute
Painting ID::  59192
Jester with a Lute
Jester with a Lute, 1620?C1625, canvas, Mus??e du Louvre, Paris.
   
   
     

Frans Hals Gypsy Girl oil


Gypsy Girl
Painting ID::  59193
Gypsy Girl
Frans Hals. Gypsy Girl. 1628-30. Oil on wood, 58 x 52 cm. Mus??e du Louvre, Paris.
   
   
     

Frans Hals Laughing Cavalier, oil


Laughing Cavalier,
Painting ID::  59194
Laughing Cavalier,
Laughing Cavalier, 1624, canvas, relined, (H) 83cm x (W) 67cm, Wallace Collection, London.
   
   
     

Frans Hals Malle Babbe oil


Malle Babbe
Painting ID::  59196
Malle Babbe
Malle Babbe, c.1630. Oil on canvas, 75cm by 64cm. Staatliche Museen, Berlin.
   
   
     

       Prev  11  12  13  14  15  16  17  18  19  20   Next
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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