Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Mevrouw Bodolphe oil


Mevrouw Bodolphe
Painting ID::  74014
Mevrouw Bodolphe
oil on canvas, by the Dutch artist Frans Hals. 48 3/16 in. x 38 3/8 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn. Date 1643(1643) cyf
   
   
     

Frans Hals Die Zigeunerin oil


Die Zigeunerin
Painting ID::  74968
Die Zigeunerin
Die Zigeunerin Date 1628-1630 cjr
Die_Zigeunerin _ Date_1628-1630 _ cjr
   
   
     

Frans Hals Fisher Boy oil


Fisher Boy
Painting ID::  75224
Fisher Boy
1630-1632 Oil on canvas 72 x 58 cm cjr
1630-1632 _ _Oil_on_canvas _ 72_x_58_cm _ cjr
   
   
     

Frans Hals Portrait of a Man Holding a Skull. oil


Portrait of a Man Holding a Skull.
Painting ID::  76340
Portrait of a Man Holding a Skull.
ca. 1611(1611) (1610-1614) Oil on panel 94 ?? 72.5 cm (37 ?? 28.5 in) cjr
   
   
     

Frans Hals Die Zigeunerin oil


Die Zigeunerin
Painting ID::  76570
Die Zigeunerin
Description Franshals.jpg Die Zigeunerin Date 1628-1630 cyf
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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