Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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Frederic E.Church Isabel Carnes Church oil


Isabel Carnes Church
Painting ID::  26213 		Isabel Carnes Church
mk48 1860 Oil on canvas 27x22 1/8in Olana State Historic Site,New York State Office of Parks,Recreation and Historic Preservation
   
   
     
Frederic E.Church Looking Southwest over Church s Farm from the Sienghenberg oil


Looking Southwest over Church s Farm from the Sienghenberg
Painting ID::  26214 		Looking Southwest over Church s Farm from the Sienghenberg
mk48 1864 Oil on canvas 193/4x31 1/8in Olana State Historic Site,New York State Office of Parks.Recreation and Historic Preservation,
   
   
     
Frederic E.Church Twilight in the Wilderness oil


Twilight in the Wilderness
Painting ID::  26215 		Twilight in the Wilderness
mk48 1860 Oil on canvas 40x64in The Cleveland Museum of Art,Mr.and Mrs.William H.Marlatt Fund,
   
   
     
Frederic E.Church Twilight,a Sketch oil


Twilight,a Sketch
Painting ID::  26216 		Twilight,a Sketch
mk48 1858 Oil on canvas 8 1/8x12 1/4in Olana State Historic Site,New York State Office of Parks,Recreation and Historic Preservation,
   
   
     
Frederic E.Church The Star in th East oil


The Star in th East
Painting ID::  26217 		The Star in th East
mk48 1860 Oil on canvas 19 1/4x14 1/4in Olana State Historic Site,New York State Office of Parks.Recreation and Historic Preservation.
   
   
     
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     Frederic E.Church
     1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.

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