1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Red Hills near Kingston,Jamaica mk48
1865
Brush and oil paint on tan paperboard
9 1/4x14 7/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Thunder Clouds,Jamaica mk48
August 1865
Brush and oil paint on cream paperboard
7 3/16x11 3/4in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Cloudy Skies mk48
August 1865
Brush and oil pain,graphite traces on thin paperboard
10 1/8x12in
Cooper-Hewitt,National Design Museum,Smithsoniam Institution,Gift of Louis P.Church
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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