1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
A Coast Line in Jamaica,West Indies mk48
Brush and oil paint,graphite on tan paperboard
10 3/16x12 1/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Niagara Falls from the American Side Painting ID:: 26235
View Towards Damascus,Syria mk48
Apri 24-May 16.1868
Brush and oil paint on tan paperboard
4 7/16x9in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Jerusalem from the Mount of Olives Painting ID:: 26237
Jerusalem from the Mount of Olives mk48
1868
Brush and oil paint,graphite on tan paperboard
11 13/16x18 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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