Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.


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Frederic E.Church Red Hills near Kingston,Jamaica oil


Red Hills near Kingston,Jamaica
Painting ID::  26228
Red Hills near Kingston,Jamaica
mk48 1865 Brush and oil paint on tan paperboard 9 1/4x14 7/16in Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
   
   
     

Frederic E.Church Rain Forest,jamaica,West Indies oil


Rain Forest,jamaica,West Indies
Painting ID::  26229
Rain Forest,jamaica,West Indies
mk48 April-August 1865 Brush and oil paint on paperboard 12x20in Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
   
   
     

Frederic E.Church Plant Study,Jamaica,West Indies oil


Plant Study,Jamaica,West Indies
Painting ID::  26230
Plant Study,Jamaica,West Indies
mk48 Brush and oil paint,graphite on cream paperboard 11 9/16x11 5/8in Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
   
   
     

Frederic E.Church Thunder Clouds,Jamaica oil


Thunder Clouds,Jamaica
Painting ID::  26231
Thunder Clouds,Jamaica
mk48 August 1865 Brush and oil paint on cream paperboard 7 3/16x11 3/4in Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
   
   
     

Frederic E.Church Cloudy Skies oil


Cloudy Skies
Painting ID::  26232
Cloudy Skies
mk48 August 1865 Brush and oil pain,graphite traces on thin paperboard 10 1/8x12in Cooper-Hewitt,National Design Museum,Smithsoniam Institution,Gift of Louis P.Church
   
   
     

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     Frederic E.Church
     1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.

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