1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Mount Chimborazo,Ecuador mk48
1857
Brush and oil paint,graphite on paperboard
13 9/16x20 9/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Study for The Heart of the Andes Painting ID:: 26210
Study for The Heart of the Andes mk48
1858
Oil on canvas
10 1/4x18 1/4in
Olana State Historic Site,New York State Office of Parks,Recreation and Historic Preservation,
Icebergs at Midnight,Labrador mk48
july 1859
Brush and oil paint on paperboard
12x19 15/16in
Cooper-Hewitt,National Design Museum Smithsonian Institution.Gift of Louis P.Church
Iceberg Fantasy mk48
c.1859
Brush and oil paint on tan wove pape,lined
5 1/2x 67/8in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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