Friedrich Johann Overbeck

1789-1869 German German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ Entry into Jerusalem and Christ Agony in the Garden. Overbeck sought to make his art serve religion. His influence was due more to the purity of his doctrine than to the power of his work, which is often lacking in pictorial appeal and in color.


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Friedrich Johann Overbeck Joseph Being Sold by His Brothers oil


Joseph Being Sold by His Brothers
Painting ID::  1085
Joseph Being Sold by His Brothers
1816
1816
   
   
     

Friedrich Johann Overbeck The Adoration of the Magi 2 oil


The Adoration of the Magi 2
Painting ID::  1091
The Adoration of the Magi 2
1813
1813
   
   
     

Friedrich Johann Overbeck The Adoration of the Magi (nn03) oil


The Adoration of the Magi (nn03)
Painting ID::  23445
The Adoration of the Magi (nn03)
1813 Oil on panel 49.7 x 66 m 19 1/2 x 26 in Kunsthalle Hamburg
   
   
     

Friedrich Johann Overbeck Italia and Germania oil


Italia and Germania
Painting ID::  33904
Italia and Germania
mk87 1828 Oil on canvas 94.4x104.7cm Munich,Neue Pinakothek
   
   
     

Friedrich Johann Overbeck Italia and Germania after oil


Italia and Germania after
Painting ID::  62819
Italia and Germania after
1828 Oil on canvas, 95 x 105 cm Gemeldegalerie, Dresden This is a copy by the artist of the original (presently in the Neue Pinakothek, Munich) painted in Rome between 1811 and 1828.
   
   
     

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     Friedrich Johann Overbeck
     1789-1869 German German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ Entry into Jerusalem and Christ Agony in the Garden. Overbeck sought to make his art serve religion. His influence was due more to the purity of his doctrine than to the power of his work, which is often lacking in pictorial appeal and in color.

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