GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone St Peter oil


St Peter
Painting ID::  44340
St Peter
Oil on canvas
Oil_on_canvas
   
   
     

GIOTTO di Bondone Presentation of Christ at the Temple oil


Presentation of Christ at the Temple
Painting ID::  44341
Presentation of Christ at the Temple
1304-06
1304-06
   
   
     

GIOTTO di Bondone Christ among the Doctors oil


Christ among the Doctors
Painting ID::  44342
Christ among the Doctors
200 x 185 cm
200_x_185_cm
   
   
     

GIOTTO di Bondone Homage of a Simple Man oil


Homage of a Simple Man
Painting ID::  44343
Homage of a Simple Man
270 x 230 cm
270_x_230_cm
   
   
     

GIOTTO di Bondone St Francis Giving his Mantle to a Poor Man oil


St Francis Giving his Mantle to a Poor Man
Painting ID::  44344
St Francis Giving his Mantle to a Poor Man
270 x 230 cm
270_x_230_cm
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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