GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone God Sends Gabriel to the Virgin oil


God Sends Gabriel to the Virgin
Painting ID::  44370
God Sends Gabriel to the Virgin
1306 230 x 690 cm
1306_ 230_x_690_cm
   
   
     

GIOTTO di Bondone Saint Francis and Saint Clare oil


Saint Francis and Saint Clare
Painting ID::  44371
Saint Francis and Saint Clare
1279-1300
1279-1300
   
   
     

GIOTTO di Bondone Mary Magdalene-s Voyage to Marseilles oil


Mary Magdalene-s Voyage to Marseilles
Painting ID::  44372
Mary Magdalene-s Voyage to Marseilles
1320s
1320s
   
   
     

GIOTTO di Bondone Return of Christ to Jerusalem oil


Return of Christ to Jerusalem
Painting ID::  44373
Return of Christ to Jerusalem
1310
1310
   
   
     

GIOTTO di Bondone Christ Among the Doctors oil


Christ Among the Doctors
Painting ID::  44374
Christ Among the Doctors
1310
1310
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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