GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone Dream of the Palace oil


Dream of the Palace
Painting ID::  44345
Dream of the Palace
270 x 230 cm
270_x_230_cm
   
   
     

GIOTTO di Bondone Miracle of the Crucifix oil


Miracle of the Crucifix
Painting ID::  44346
Miracle of the Crucifix
270 x 230 cm
270_x_230_cm
   
   
     

GIOTTO di Bondone Renunciation of Wordly Goods oil


Renunciation of Wordly Goods
Painting ID::  44347
Renunciation of Wordly Goods
270 x 230 cm
270_x_230_cm
   
   
     

GIOTTO di Bondone Confirmation of the Rule oil


Confirmation of the Rule
Painting ID::  44348
Confirmation of the Rule
270 x 230 cm
270_x_230_cm
   
   
     

GIOTTO di Bondone Vision of the Thrones oil


Vision of the Thrones
Painting ID::  44349
Vision of the Thrones
270 x 230 cm
270_x_230_cm
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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