GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone Joachim-s Dream oil


Joachim-s Dream
Painting ID::  44365
Joachim-s Dream
200 x 185 cm
200_x_185_cm
   
   
     

GIOTTO di Bondone Meeting at the Golden Gate oil


Meeting at the Golden Gate
Painting ID::  44366
Meeting at the Golden Gate
1304-06 200 x 185 cm
1304-06 200_x_185_cm
   
   
     

GIOTTO di Bondone The Bringing of the Rods to the Temple oil


The Bringing of the Rods to the Temple
Painting ID::  44367
The Bringing of the Rods to the Temple
1304-06 200x 185 cm
1304-06_ 200x_185_cm
   
   
     

GIOTTO di Bondone The Suitors Praying oil


The Suitors Praying
Painting ID::  44368
The Suitors Praying
1304-06 200 x 185 cm
1304-06_ 200_x_185_cm
   
   
     

GIOTTO di Bondone Wedding Procession oil


Wedding Procession
Painting ID::  44369
Wedding Procession
200 x 185 cm
200_x_185_cm
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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