GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone St Francis before the Sultan oil


St Francis before the Sultan
Painting ID::  52394
St Francis before the Sultan
1325 Fresco, 280 x 450 cm
1325_Fresco,_280_x_450_cm
   
   
     

GIOTTO di Bondone Christ Enthroned oil


Christ Enthroned
Painting ID::  52396
Christ Enthroned
c. 1330 Tempera on panel
c._1330_Tempera_on_panel
   
   
     

GIOTTO di Bondone St John the Evangelist oil


St John the Evangelist
Painting ID::  52397
St John the Evangelist
1320-25 Tempera on wood, 81 x 55 cm
1320-25_Tempera_on_wood,_81_x_55_cm
   
   
     

GIOTTO di Bondone Martyrdom of Peter oil


Martyrdom of Peter
Painting ID::  52398
Martyrdom of Peter
c. 1330 Tempera on panel
c._1330_Tempera_on_panel
   
   
     

GIOTTO di Bondone The Stefaneschi Triptych oil


The Stefaneschi Triptych
Painting ID::  52399
The Stefaneschi Triptych
c. 1330 Tempera on panel, 220 x 245 cm
c._1330_Tempera_on_panel,_220_x_245_cm
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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