GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone St Peter Enthroned oil


St Peter Enthroned
Painting ID::  52400
St Peter Enthroned
c. 1330 Tempera on panel
c._1330_Tempera_on_panel
   
   
     

GIOTTO di Bondone Mary Magdalene and Cardinal Pontano oil


Mary Magdalene and Cardinal Pontano
Painting ID::  52401
Mary Magdalene and Cardinal Pontano
1320s Fresco Magdalene Chapel
1320s_Fresco_Magdalene_Chapel
   
   
     

GIOTTO di Bondone Vision of the Ascension of St Francis oil


Vision of the Ascension of St Francis
Painting ID::  52402
Vision of the Ascension of St Francis
1325 Fresco, 280 x 450 cm
1325_Fresco,_280_x_450_cm
   
   
     

GIOTTO di Bondone Birth of Christ oil


Birth of Christ
Painting ID::  48620
Birth of Christ
mk191 1302-1305 Oil on canvas
mk191 1302-1305 Oil_on_canvas
   
   
     

GIOTTO di Bondone Detail of Birth of Christ oil


Detail of Birth of Christ
Painting ID::  48623
Detail of Birth of Christ
mk191 Oil on canvas
mk191 Oil_on_canvas
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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