Georges Lemmen

1865-1916 French Georges Lemmen Gallery Belgian painter and decorative artist. He showed a precocious talent, first exhibiting in 1875. His only formal study was at a local school of drawing. Between 1884 and 1886 he showed at the Essor group in Brussels paintings that were based on D?rer and Holbein and closely related to those of Lemmen's contemporary, Khnopff. When Lemmen became a member of Les XX in 1888 his style developed quickly, influenced principally by French Neo-Impressionism and the English Arts and Crafts Movement. Lemmen adopted the pointillist technique following Seurat's first showing with Les XX in 1887. His best pointillist canvases include The Carousel (1890-91; Toulon, Mme Thevenin-Lemmen priv. col., see Belgian Art, 1880-1914, exh. cat., New York, Brooklyn Mus., 1980, p. 118, fig. 47) as well as portraits of Julie (1891; Chicago, IL, A. Inst.) and Mme Lemmen (1894-5; Paris, Mus. d'Orsay).
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Georges Lemmen Self-Portrait oil


Self-Portrait
Painting ID::  54286 		Self-Portrait
mk235 1890 Oil on canvsa 43x38cm
mk235 1890 Oil_on_canvsa 43x38cm
   
   
     
Georges Lemmen Still Life with Fan oil


Still Life with Fan
Painting ID::  73786 		Still Life with Fan
between 1907(1907) and 1908(1908) Medium Oil on canvas Dimensions 61.9 X 48.6 cm (24.37 X 19.13 in) cyf
   
   
     
Georges Lemmen Girls strolling on the street oil


Girls strolling on the street
Painting ID::  75616 		Girls strolling on the street
Girls strolling on the street", oil painting on panel (28 x 22 cm) by George Hendrik Breitner (1857-1923); private collection cyf
   
   
     
Georges Lemmen Girl with doll oil


Girl with doll
Painting ID::  94234 		Girl with doll
1904 Lithograph, 35 x 33.3 cm cjr
1904 Lithograph,_35_x_33.3_cm cjr
   
   
     
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     Georges Lemmen
     1865-1916 French Georges Lemmen Gallery Belgian painter and decorative artist. He showed a precocious talent, first exhibiting in 1875. His only formal study was at a local school of drawing. Between 1884 and 1886 he showed at the Essor group in Brussels paintings that were based on D?rer and Holbein and closely related to those of Lemmen's contemporary, Khnopff. When Lemmen became a member of Les XX in 1888 his style developed quickly, influenced principally by French Neo-Impressionism and the English Arts and Crafts Movement. Lemmen adopted the pointillist technique following Seurat's first showing with Les XX in 1887. His best pointillist canvases include The Carousel (1890-91; Toulon, Mme Thevenin-Lemmen priv. col., see Belgian Art, 1880-1914, exh. cat., New York, Brooklyn Mus., 1980, p. 118, fig. 47) as well as portraits of Julie (1891; Chicago, IL, A. Inst.) and Mme Lemmen (1894-5; Paris, Mus. d'Orsay).

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