Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.


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Gerard David The Adoration of the Magi oil


The Adoration of the Magi
Painting ID::  29823
The Adoration of the Magi
mk67 Tempera on panel 37 3/8x31 1/2in Uffizi,Gallery
mk67 Tempera_on_panel 37_3/8x31_1/2in Uffizi,Gallery
   
   
     

Gerard David The Virgin with the Bowl of Milk oil


The Virgin with the Bowl of Milk
Painting ID::  30478
The Virgin with the Bowl of Milk
mk68 Oil on oak Brussels Museums of Fine Arts C.1520
mk68 Oil_on_oak Brussels Museums_of_Fine_Arts C.1520
   
   
     

Gerard David Les Noces de Cana oil


Les Noces de Cana
Painting ID::  31012
Les Noces de Cana
mk70 Bois H.1.00 L.1.28 Paris,Musee du Louvre
mk70 Bois H.1.00 L.1.28 Paris,Musee_du_Louvre
   
   
     

Gerard David The deposition oil


The deposition
Painting ID::  31733
The deposition
mk76 Painted between c.1510 and 1515 Oil on canves 56 1/8x44 1/4in
   
   
     

Gerard David The Mystic Marriage of St Catherine oil


The Mystic Marriage of St Catherine
Painting ID::  33531
The Mystic Marriage of St Catherine
mk86 c.1505-1510 Oil tempera on wood 106x144cm London,National Gallery
   
   
     

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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