Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.


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Gerard David The Judgment of Cambyses oil


The Judgment of Cambyses
Painting ID::  91790
The Judgment of Cambyses
1498(1498) Medium oil on panel cyf
1498(1498) _ Medium_oil_on_panel _ cyf
   
   
     

Gerard David The Judgment of Cambyses oil


The Judgment of Cambyses
Painting ID::  91791
The Judgment of Cambyses
1498(1498) Medium oil on panel cyf
1498(1498) _ Medium_oil_on_panel _ cyf
   
   
     

Gerard David Forest scene oil


Forest scene
Painting ID::  92822
Forest scene
c. 1505-1515 Medium oil on oak panel Dimensions Height: 89.9 cm (35.4 in). Width: 30.7 cm (12.1 in). cjr
   
   
     

Gerard David Portrait of a standing cavalier oil


Portrait of a standing cavalier
Painting ID::  97360
Portrait of a standing cavalier
17th century Medium oil on oak panel Dimensions 49 X 36.5 cm cyf
   
   
     

Gerard David Virgin and Child with the Milk Soup oil


Virgin and Child with the Milk Soup
Painting ID::  97680
Virgin and Child with the Milk Soup
oil on wood, circa 1510-1520. cyf
oil_on_wood,_circa_1510-1520. cyf
   
   
     

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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